{"id":3750,"date":"2017-12-27T17:05:34","date_gmt":"2017-12-27T17:05:34","guid":{"rendered":"http:\/\/sfmagazines.com\/?p=3750"},"modified":"2019-11-18T17:21:20","modified_gmt":"2019-11-18T17:21:20","slug":"astounding-v20n05-january-1938","status":"publish","type":"post","link":"https:\/\/sfmagazines.com\/?p=3750","title":{"rendered":"Astounding Stories v20n05, January 1938"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/AST193801.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3776\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=3776\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/AST193801x600.jpg?fit=422%2C600&amp;ssl=1\" data-orig-size=\"422,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"AST193801x600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/AST193801x600.jpg?fit=141%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/AST193801x600.jpg?fit=422%2C600&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"size-full wp-image-3776 aligncenter\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/AST193801x600.jpg?resize=422%2C600&#038;ssl=1\" alt=\"\" width=\"422\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/AST193801x600.jpg?w=422&amp;ssl=1 422w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/AST193801x600.jpg?resize=141%2C200&amp;ssl=1 141w\" sizes=\"auto, (max-width: 422px) 100vw, 422px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.isfdb.org\/cgi-bin\/pl.cgi?57480\">ISFDB <\/a><br \/>\n<a href=\"https:\/\/archive.org\/details\/Astounding_v20n05_1938-01_cape1736\">Archive.org<\/a><\/p>\n<p style=\"text-align: center;\">_____________________<\/p>\n<p>Editor, John W. Campbell Jr.<\/p>\n<p>Fiction:<br \/>\n<strong><em>Ormoly of Roonerion<\/em><\/strong> \u2022 novelette by Nelson Tremaine [as by Warner Van Lorne] &#8211;<br \/>\n<strong><em>The Voice out of Space<\/em><\/strong> \u2022 short story by Clifton B. Kruse &#8211;<br \/>\n<strong><em>Dead Knowledge<\/em><\/strong> \u2022 novelette by John W. Campbell, Jr. [as by Don A. Stuart] <strong>\u2217\u2217\u2217<\/strong><br \/>\n<strong><em>Pithecanthropus Rejectus<\/em><\/strong> \u2022 short story by Manly Wade Wellman <strong>\u2217\u2217\u2217<\/strong>+<br \/>\n<strong><em>Red Heritage<\/em><\/strong> \u2022 novelette by John Russell Fearn <strong>\u2217\u2217<\/strong><br \/>\n<strong><em>Whispering Satellite<\/em><\/strong> \u2022 short story by John Russell Fearn [as by Thornton Ayre] &#8211;<br \/>\n<strong><em>Galactic Patrol<\/em><\/strong> (Part 5 of 6) \u2022 serial by Edward E. Smith <strong>\u2217\u2217<\/strong><br \/>\n<strong><em>The Mental Ultimate<\/em><\/strong> \u2022 short story by John Russell Fearn [as by Polton Cross] &#8211;<\/p>\n<p>Non-fiction:<br \/>\n<strong><em>Cover <\/em><\/strong>\u2022 by H. W. Wesso<strong><em><br \/>\nInterior artwork<\/em><\/strong> \u2022 by Jack Binder (7), H. W. Wesso (4), Elliott Dold, Jr. (2)<br \/>\n<strong><em>In Times to Come<br \/>\nPower Plants of Tomorrow: Harnessing the Sun\u2019s Rays<\/em><\/strong> \u2022 essay by Willy Ley<br \/>\n<strong><em>Rocket Flight<\/em><\/strong> \u2022 essay by Leo Vernon<br \/>\n<strong><em>Mutation<\/em><\/strong> \u2022 editorial by John W. Campbell, Jr. [as by The Editor]<br \/>\n<strong><em>Science Discussions and Brass Tacks<\/em><\/strong> \u2022 letters<\/p>\n<p style=\"text-align: center;\">_____________________<\/p>\n<p>When I recently wrote a review of the October 1937 <em>Astounding,<\/em> it was with a \u201c70<sup>th<\/sup> anniversary of the beginning of John W. Campbell\u2019s editorship\u201d fanfare, only to discover that Alva Rogers\u2019 claim that it was Campbell\u2019s first issue was incorrect.<sup>1<\/sup><br \/>\nWith this issue, however, Campbell is a visible presence\u2014one of the letters in <strong><em>Brass Tacks<\/em><\/strong> is addressed to him by name, and the writer, Louis Kuslan, mentions that he heard of the new editor\u2019s appointment in <em>The Science Fiction Fan<\/em>.<br \/>\nOn p. 4 there is also a new feature started by Campbell (and one that still runs in the magazine today), <strong><em>In Times to Come<\/em><\/strong>:<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0004.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11516\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11516\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0004x600.jpg?fit=415%2C600&amp;ssl=1\" data-orig-size=\"415,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0004&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0004x600.jpg?fit=138%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0004x600.jpg?fit=415%2C600&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11516\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0004x600.jpg?resize=415%2C600&#038;ssl=1\" alt=\"\" width=\"415\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0004x600.jpg?w=415&amp;ssl=1 415w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0004x600.jpg?resize=138%2C200&amp;ssl=1 138w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><\/a><\/p>\n<p>There is also an editorial by Campbell, <strong><em>Mutation<\/em><\/strong>:<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0151.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11546\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11546\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0151x600.jpg?fit=415%2C600&amp;ssl=1\" data-orig-size=\"415,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0151&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0151x600.jpg?fit=138%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0151x600.jpg?fit=415%2C600&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11546\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0151x600.jpg?resize=415%2C600&#038;ssl=1\" alt=\"\" width=\"415\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0151x600.jpg?w=415&amp;ssl=1 415w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0151x600.jpg?resize=138%2C200&amp;ssl=1 138w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><\/a><\/p>\n<p>Normally an editor\u2019s first issue is described as the one that has their name on the masthead of the magazine (the part that lists the editors, publishers, etc.), regardless of\u00a0whether they acquired\u00a0the stories or prepared that issue for publication.<sup>2<\/sup>\u00a0However, at that time Street &amp; Smith did not print a masthead on their magazines. My contention is that\u2014given the above\u2014Campbell\u2019s name would also have been on the masthead of this issue if there was one. Your view may vary.<sup>3<\/sup><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0006.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11518\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11518\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0006x600.jpg?fit=794%2C600&amp;ssl=1\" data-orig-size=\"794,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0006&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0006x600.jpg?fit=265%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0006x600.jpg?fit=625%2C472&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11518\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0006x600.jpg?resize=625%2C472&#038;ssl=1\" alt=\"\" width=\"625\" height=\"472\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0006x600.jpg?w=794&amp;ssl=1 794w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0006x600.jpg?resize=265%2C200&amp;ssl=1 265w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0006x600.jpg?resize=624%2C472&amp;ssl=1 624w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p>The fiction leads off with <strong><em>Ormoly of Roonerion<\/em><\/strong> by Nelson Tremaine, who presumably used the Warner Van Lorne pseudonym as he was the brother of the previous editor, and the then new Editorial Director at Street &amp; Smith, F. Orlin Tremaine.<sup>4<\/sup> The story\u2019s protagonist, Jack, sees a strange light in the sea and he is repeatedly drawn back to search for it over the next few days. When he eventually spots it again he realises that it is coming from a tiny cigar-shaped vessel:<\/p>\n<blockquote><p>Slowly the water receded until the bright spot lay on the sand \u2014 and it was growing larger! It expanded as the man watched until it was several inches long. It seemed to draw slowly away at the same time, and Jack took several hurried steps forward.<br \/>\nHe almost fell and discovered he was standing on rocks larger than his feet! He could not understand; there was little room for anything in his mind, but that he must absorb as much of the strange light as he could.<br \/>\nWhen the object had grown in size, so that he looked straight ahead, he stepped forward again. It appeared to be metal now, and almost cigar-shaped. The light came from many small openings in the silvery material.<br \/>\nOnce more Jack started forward, but now he had to climb over boulders so huge that the ship was almost out of sight when he dropped into the hollows between. A few feet from the ship he stopped on top of the highest. The strange hull was enormous now. It stood fully sixty feet high and several times that length.<br \/>\nPort holes, a foot in diameter, were visible, with rays coming from several. As the ship ceased to expand, the lights faded until they gave only a faint glow.\u00a0 p. 9<\/p><\/blockquote>\n<p>What is really happening here is that Jack (spoiler) is shrinking. This is eventually revealed as a surprise twist at the end but is obvious from the detail here and further on in the story.<br \/>\nWhen Jack finally goes on board he meets two green-skinned, golden-haired people (an older man and attractive woman). There is then a long undersea journey where Jack learns their odd customs and language and, later, how to run the ship.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0012.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11520\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11520\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0012x600.jpg?fit=415%2C600&amp;ssl=1\" data-orig-size=\"415,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0012&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0012x600.jpg?fit=138%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0012x600.jpg?fit=415%2C600&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11520\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0012x600.jpg?resize=415%2C600&#038;ssl=1\" alt=\"\" width=\"415\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0012x600.jpg?w=415&amp;ssl=1 415w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0012x600.jpg?resize=138%2C200&amp;ssl=1 138w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><\/a><\/p>\n<p>When the ship reaches its home port they find war has broken out with the neighbouring Salikans. Jack plays a pivotal role in defeating them before he is told\u00a0that he is the Ormoly, the man chosen\u00a0for the woman on board the ship (apparently their \u2018vibrations\u2019 match).<br \/>\nThis is relatively clearly written but uninspired, formulaic stuff.<sup>5<\/sup><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0034.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11522\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11522\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0034x600.jpg?fit=790%2C600&amp;ssl=1\" data-orig-size=\"790,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0034&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0034x600.jpg?fit=263%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0034x600.jpg?fit=625%2C475&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11522\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0034x600.jpg?resize=625%2C475&#038;ssl=1\" alt=\"\" width=\"625\" height=\"475\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0034x600.jpg?w=790&amp;ssl=1 790w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0034x600.jpg?resize=263%2C200&amp;ssl=1 263w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0034x600.jpg?resize=624%2C474&amp;ssl=1 624w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><strong><em>The Voice out of Space<\/em><\/strong> by Clifton B. Kruse is another clunker, although it starts quite well with two scientists in a high-altitude balloon taking photographs of the stars. Then they hear an odd sound shortly before they are hit by a meteorite and lose one of their \u2018helium-radiants\u2019 (balloons).<br \/>\nThe rest of the story is about their return to Earth and the discovery of an electrostatic alien life form in the recovered meteorite.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0044.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11524\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11524\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0044x600.jpg?fit=790%2C600&amp;ssl=1\" data-orig-size=\"790,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0044&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0044x600.jpg?fit=263%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0044x600.jpg?fit=625%2C475&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11524\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0044x600.jpg?resize=625%2C475&#038;ssl=1\" alt=\"\" width=\"625\" height=\"475\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0044x600.jpg?w=790&amp;ssl=1 790w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0044x600.jpg?resize=263%2C200&amp;ssl=1 263w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0044x600.jpg?resize=624%2C474&amp;ssl=1 624w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><strong><em>Dead Knowledge<\/em><\/strong> by John W. Campbell, Jr. is about three spacemen who come upon an abandoned city on an alien planet.<sup>6<\/sup> When they start exploring they find that the humanoid inhabitants have committed suicide by poisoning themselves. They fly to another two cities and find a similar situation.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0050.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11526\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11526\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0050x600.jpg?fit=790%2C600&amp;ssl=1\" data-orig-size=\"790,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0050&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0050x600.jpg?fit=263%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0050x600.jpg?fit=625%2C475&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11526\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0050x600.jpg?resize=625%2C475&#038;ssl=1\" alt=\"\" width=\"625\" height=\"475\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0050x600.jpg?w=790&amp;ssl=1 790w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0050x600.jpg?resize=263%2C200&amp;ssl=1 263w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0050x600.jpg?resize=624%2C474&amp;ssl=1 624w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p>They retreat back into their spaceship and lift into orbit, where they discuss the situation, and agree that they should spend three months exploring and investigating the planet before returning to Earth. However, just as they are away to eat a long overdue meal, two of them find the third dead. He has used the same poison that the aliens used in the cities . . . . Later, another of the two also kills himself.<br \/>\nThe climax comes when the last crew member realises (spoiler) he is being taken over by an alien intelligence. There is no poison left for him, but we find out at the end that (a) he had booby-trapped the ship to explode when the FTL drive shut down on arrival at Earth and (b) he has left a message about the alien menace in a heat proof container.<br \/>\nOn the plus side this is an atmospheric and at times eerie story; the negatives are that it is a bit slow-moving to start, and the last couple of pages are a little unclear.<br \/>\nNote that this idea of an almost undetectable alien menace taking possession of humans would reappear a few months later in Campbell\u2019s classic story <em>Who Goes There?<\/em> (<em>Astounding Science-Fiction<\/em>, August 1938).<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0068.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11532\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11532\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0068x600.jpg?fit=790%2C600&amp;ssl=1\" data-orig-size=\"790,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0068&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0068x600.jpg?fit=263%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0068x600.jpg?fit=625%2C475&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11532\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0068x600.jpg?resize=625%2C475&#038;ssl=1\" alt=\"\" width=\"625\" height=\"475\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0068x600.jpg?w=790&amp;ssl=1 790w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0068x600.jpg?resize=263%2C200&amp;ssl=1 263w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0068x600.jpg?resize=624%2C474&amp;ssl=1 624w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><strong><em>Pithecanthropus Rejectus<\/em><\/strong> is by Manly Wade Wellman, whose work of this period was standard pulp fare, or at least that was what I thought from both the little I\u2019ve read and what I\u2019ve gleaned from <em>Science Fiction Encyclopedia<\/em>. This story belies that assumption with a work that is not only the stand out of the issue, but which is also an early example (possibly one of the earliest) of an \u2018Uplift\u2019 story (<em>Science Fiction Encyclopaedia<\/em>: \u201c[Uplift] tends to denote an assisted leap of Evolution \u2013 specifically, the raising of nonsentient or otherwise handicapped beings to a level of Intelligence or technological capability comparable to or exceeding humanity\u2019s.\u201d)<sup>7<\/sup><br \/>\nThe narrator in this story is a surgically altered ape called Congo, who is raised\u00a0in a human family by the doctor who performed the changes. The doctor is an unsympathetic character, but his wife isn\u2019t:<\/p>\n<blockquote><p>Once or twice Doctor scowled, and once I overheard him talking to Mother just beyond the nursery door. I understood pretty well even then, and since that time I have filled in details of the conversation.<br \/>\n\u201cI tell you, I don\u2019t like it,\u201d he snapped. \u201cShowering attentions on that creature.\u201d<br \/>\nShe gave him a ready laugh. \u201cPoor little Congo!\u201d<br \/>\n\u201cCongo\u2019s an ape, for all my surgery,\u201d he replied coldly. \u201cSidney is your son, and Sidney alone. The other is an experiment\u2014like a shake-up of chemicals in a tube, or a grafting of twigs on a tree.\u201d<br \/>\n\u201cLet me remind you,\u201d said Mother, still good-natured, \u201cthat when you brought him from the zoo, you said he must live here as a human child, on equal terms with Sidney. That, remember, was part of the experiment. And so are affection and companionship.\u201d<br \/>\n\u201cAh, the little beast!\u201d Doctor almost snarled. \u201cSometimes I wish I hadn\u2019t begun these observations.\u201d<br \/>\n\u201cBut you have. You increased his brain powers and made it possible for him to speak. He\u2019s brighter than any human child his age.\u201d<br \/>\n\u201cApes mature quickly. He\u2019ll come to the peak of development and Sidney will forge ahead. That always happens in these experiments.\u201d<br \/>\n\u201cThese experiments have always been performed with ordinary ape-children before,\u201d said Mother. \u201cWith your operations you\u2019ve given him something, at least, of human character. So give him something of human consideration as well.\u201d<br \/>\n\u201cI\u2019m like Prospero, going out of my way to lift up Caliban from the brute.\u201d<br \/>\n\u201cCaliban meant well,\u201d Mother responded, reminding him of something I knew nothing about. \u201cMeanwhile, I don\u2019t do things by halves, dear. As long as Congo remains in this house, he shall have kindness and help from me. And he shall look to me as his mother.\u201d\u00a0 p. 68-70<\/p><\/blockquote>\n<p>Nevertheless Congo is eventually sold to the world of show business and tours the world as an exhibit. At one point he escapes into the African bush and finds his own kind:<\/p>\n<blockquote><p>After more days, I found my people, the Kulakambas.<br \/>\nThey were as they had been in the dream, swinging in treetops, playing and gathering food. Some of the younger ones scampered through the branches, shrilling joyfully over their game of tag. They talked, young and old\u2014they had a language, with inflections and words and probably grammar, I could see a little village of nests, in the forks of the big trees; well-made shelters, with roofs over them. Those must have been quickly and easily made. Nothing troubled the Kulakambas. They lived without thought or worry for the next moment. When the next moment came they lived that, too.<br \/>\nI thought I would approach. I would make friends, learn their ways and their speech. Then I might teach them useful things, and in turn they would teach me games. Already the old dream was a reality and the civilization I had known was slipping away\u2014like a garment that had fitted too loosely.<br \/>\nI approached and came into view. They saw, and began to chatter at me. I tried to imitate their sounds, and I failed.<br \/>\nThen they grew excited and climbed along in the trees above me. They began dropping branches and fruits and such things. I ran, and they followed, shrieking in a rage that had come upon them from nowhere and for no reason I could think of. They chased me all that day, until nightfall. A leopard frightened them then, and me as well.<br \/>\nI returned, after many days, to the town by the sea.\u00a0 p. 73<\/p><\/blockquote>\n<p>The climactic scene occurs when Congo is playing the part of Caliban in Shakespeare\u2019s <em>The Tempest<\/em>. Before one of the performances the Doctor visits, and he tells Congo of his plan to repeat his\u00a0experiment with many more subjects. Congo (spoiler) kills the doctor and the police take him away. The fact that he is only an animal and not subject to, or protected by, human law leads to his tragic end.<br \/>\nThis is an impressive piece, and holds up quite well. Apart from the mature treatment of the theme, and a repeated reference to Shakespeare\u2019s <em>The Tempest<\/em>, the prose is a definite cut above the usual pulp product.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0076.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11534\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11534\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0076x600.jpg?fit=790%2C600&amp;ssl=1\" data-orig-size=\"790,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0076&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0076x600.jpg?fit=263%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0076x600.jpg?fit=625%2C475&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11534\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0076x600.jpg?resize=625%2C475&#038;ssl=1\" alt=\"\" width=\"625\" height=\"475\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0076x600.jpg?w=790&amp;ssl=1 790w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0076x600.jpg?resize=263%2C200&amp;ssl=1 263w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0076x600.jpg?resize=624%2C474&amp;ssl=1 624w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p>The second half of the magazine has no less than three stories by John Russell Fearn, two under pseudonyms. They are all pretty awful so I will try to be brief.<sup>8<\/sup> The first, <strong><em>Red Heritage<\/em><\/strong>, is under his own name, and starts with two chapters where an alien scientist on Venus speaks to an assembled group about the environmental disaster they are experiencing. Rather than move to Mars (which may involve fighting the locals), the plan is to steal their water and air instead:<\/p>\n<blockquote><p>At length Kil-Dio spoke: \u201cGravity, as we well know, is as much a force as cosmic rays, light or heat. It has definable limits and its power can be increased or decreased at will\u2014that we know from our levitators, which lift easily against the pull of gravitation. Also, we know it from our space machines which shield gravity and hurl us away from any gravitational field. We know that, even as ordinary radio waves can be heterodyned, so can a correct force operate to \u2018heterodyne\u2019 gravitational fields and render the part in question entirely free of gravitation. This, then, is our plan:<br \/>\n\u201cAcross space, directly to [Mars], we shall project a heterodyning beam, which, when it strikes [Mars], will encompass some one thousand miles of surface area. This heterodyning beam will be the exact center of what we might call a sudden uprushing vortex of water and funnel of force. That is to say, this funnel will be a beam having walls of vibration solid enough to withstand the sudden uprushing vortex of water and air. Obviously, with part of [Mars] degravitated and this force funnel immediately over that part, the air and oceans will be sucked up our force tunnel by the normal process of following the line of least resistance. But for our force tunnel they would spew Sunward, hence the presence of the tunnel to hold them in one fixed path, until they deluge down on the surface of this world.\u201d\u00a0 p. 80-82<\/p><\/blockquote>\n<p>Fortunately, this turgid data-dumping stops when the third chapter switches to the viewpoint of a Martian called Petlo, who is underground when the force tube strikes. He gets home to find his wife and son sheltering in the cellar.<br \/>\nAfter the attack ends, Petlo organises the survivors. In time he works out what has happened, and plots his revenge. A rocket is sent to Venus\u2019s moon to blow it up, and send the spore infested debris to Venus. Meanwhile, Petlo puts huge anodes and cathodes into the poles of the planet and sends a pair of survivors to Earth with a racial memory that will enable them to trigger the device many generations later.<br \/>\nThe last part of the story has one of the descendants recover those implanted memories. He watches Venus, and then, conveniently, sees the post-spore survivors of Venus head for Mars, where they aim to settle and this time hoover off the atmosphere of Earth. The Earthman sends a radio signal to turn on the polar battery: the remaining Venusian survivors fry.<br \/>\nThe Martian section is more readable than the beginning and has a certain narrative verve, but the ridiculous plot has more holes than a colander.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0097.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11536\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11536\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0097x600.jpg?fit=415%2C600&amp;ssl=1\" data-orig-size=\"415,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0097&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0097x600.jpg?fit=138%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0097x600.jpg?fit=415%2C600&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11536\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0097x600.jpg?resize=415%2C600&#038;ssl=1\" alt=\"\" width=\"415\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0097x600.jpg?w=415&amp;ssl=1 415w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0097x600.jpg?resize=138%2C200&amp;ssl=1 138w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><\/a><\/p>\n<p><strong><em>Whispering Satellite<\/em><\/strong> is the second offering by Fearn and appears under his Thornton Ayre pseudonym. This actually has a good hook:<\/p>\n<blockquote><p>\u201cRocked in the cradle of the deep, I lay me down in peace to sleep\u2014\u201d<br \/>\nThe flawless, basso-profundo voice ceased. Clark Mitchell stopped humming the tune that had prompted those notes and looked up across the crude table toward the great, heavy-stemmed flower standing in the Saturnshine streaming through the window.<br \/>\nSometimes he rather regretted the time two earth-years before when he had taught this particular product of Titan\u2019s Whispering Forest to sing. He knew it did it by air suction through its broad yellow face, vibrating in turn on hairlike vocal cords, but he\u2019d never quite gotten over the uncanny effect of it.\u00a0 p. 97-98<\/p><\/blockquote>\n<p>It then goes downhill with one of Fearn\u2019s characteristic opening astronomical data-dumps (there is one in the previous story, too: \u201cVenus, revolving once in 720 hours, was a world without clouds, without protection from a Sun only 63,000,000 miles away\u201d):<\/p>\n<blockquote><p>Two years on Titan had done much to orient Clark into the strangeness of this little satellite flying round its primary in 15 days, 22 odd hours\u2014a little desert island of a world, bathed in the torrid heat of Saturn 770,000 miles distant. Unlike Jupiter, the ringed world has cooled less swiftly and pours its warmth on its whole retinue of moons.\u00a0 p. 98<\/p><\/blockquote>\n<p>The potboiler plot involves Clark\u2019s crashed spaceship, his having been framed for murder on Earth by a woman he still loves, her appearance on the planet with her drunken father, and their perilous journey to the latter\u2019s spaceship before the native \u2018blue-biters\u2019 nibble them to death.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0142.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11544\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11544\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0142x600.jpg?fit=790%2C600&amp;ssl=1\" data-orig-size=\"790,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0142&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0142x600.jpg?fit=263%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0142x600.jpg?fit=625%2C475&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11544\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0142x600.jpg?resize=625%2C475&#038;ssl=1\" alt=\"\" width=\"625\" height=\"475\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0142x600.jpg?w=790&amp;ssl=1 790w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0142x600.jpg?resize=263%2C200&amp;ssl=1 263w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0142x600.jpg?resize=624%2C474&amp;ssl=1 624w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p>The last Fearn story, this one as by Polton Cross, is <strong><em>The Mental Ultimate<\/em><\/strong>. This is another potboiler with a lot of makey-up super science, this time about a man with a massive intelligence who works his way through all the sciences, making various profound discoveries. Later, the narrator finds he can kill with a thought and manipulate matter. He then time-travels before eventually ending up in the far-future where he meets the last man on Earth, who proceeds to drone on about the narrator\u2019s intelligence before telling him why he is shrinking\u2014oh yes, I should have mentioned that daftness earlier.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0115.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11540\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11540\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0115x600.jpg?fit=415%2C600&amp;ssl=1\" data-orig-size=\"415,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0115&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0115x600.jpg?fit=138%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0115x600.jpg?fit=415%2C600&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11540\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0115x600.jpg?resize=415%2C600&#038;ssl=1\" alt=\"\" width=\"415\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0115x600.jpg?w=415&amp;ssl=1 415w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0115x600.jpg?resize=138%2C200&amp;ssl=1 138w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><\/a><\/p>\n<p>This penultimate part of <strong><em>Galactic Patrol<\/em><\/strong> by Edward E. Smith has a mixture of good and bad parts, but mostly the latter. Kinnison passes out when he gets back to his ship after fighting the wheel-like aliens, but manages to contact the Admiral who organises a rescue. When Kinnison wakes up he finds himself in hospital, where he is\u00a0a terrible patient (and, it would seem, a fourteen old one at that):<\/p>\n<blockquote><p>In a few days Kinnison was fully and alertly conscious. In a week most of the pain had left him, and he was beginning to chafe under restraint. In ten days he was \u201cfit to be tied,\u201d and his acquaintance with his head nurse, so inauspiciously begun, developed even more inauspiciously as time went on. For, as Haynes and Lacy had each more than anticipated, the Lensman was by no means an ideal patient. In fact, he was most decidedly the opposite.<br \/>\nNothing that could be done would satisfy him. Ail doctors were fatheads, even Lacy, the man who had put him together. All nurses were dumb-bells, even\u2014or specially?\u2014Mac, who with almost superhuman skill, tact and patience had been holding him together. Why, even fatheads and dumb-bells, even highgrade morons, ought to know that a man needed food!<br \/>\nAccustomed to eating everything that he could reach, three or four or five times a day, he did not realize\u2014nor did his stomach\u2014that his now quiescent body could no longer use the five thousand or more calories that it had been wont to burn up, each twenty-four hours, in intense effort. He was always hungry, and he was forever demanding food. And food, to him, did not mean orange juice or grape juice or tomato juice or milk. Nor did it mean weak tea and hard, dry toast and an occasional softboiled egg. If he ate eggs at all he wanted them fried\u2014three or four of them, accompanied by two or three thick slices of ham.<br \/>\nHe wanted\u2014and demanded in no uncertain terms, argumentatively and persistently\u2014a big, thick, rare beefsteak. He wanted baked beans, with plenty of fat pork. He wanted bread in thick slices, piled high with butter, and not this quadruply-and-unmentionably-qualified toast. He wanted roast beef, rare, in great chunks. He wanted potatoes and thick brown gravy. He wanted corned beef and cabbage. He wanted pie\u2014any kind of pie\u2014in large, thick quarters. He wanted peas and corn and asparagus and cucumbers, and also various other worldly staples of diet which he often and insistently mentioned by name.<br \/>\nBut above all, he wanted beefsteak. He thought about it days and dreamed about it nights. One night in particular he dreamed about it\u2014 an especially luscious porterhouse, fried in butter and smothered in mushrooms\u2014only to wake up, mouth watering, literally starved, to face again the weak tea, dry toast, and,\u00a0horror of horrors, this time a flabby, pallid, flaccid poached egg! It was the last straw.<br \/>\n\u201cTake it away,\u201d he said, weakly; then, when the nurse did not obey, he reached out and pushed the breakfast, tray and all, off the table. As it crashed to the floor, he turned away, and, in spite of all his efforts, two hot tears forced themselves between his eyelids.<\/p><\/blockquote>\n<p>It\u2019s hard to know what to make of this ridiculous (but highly entertaining) passage, and I don\u2019t know if I was more struck by (a) that\u00a0hundreds of years in the future humans are still eating exactly what they did in the late 1930s, or (b) the image of a Lensman lying in a hospital bed blubbing because they bring him a poached egg on toast for breakfast and not something more to his taste. That said, I would wager this food fantasy passage read very differently to <em>Astounding<\/em>\u2019s post-depression era audience.<br \/>\nAfter Kinnison recovers he goes to speak to Admiral Haynes:<\/p>\n<blockquote><p>\u201cWell, sir, I am feeling a trifle low, but if you and the rest of them still think\u2014\u201d<br \/>\n\u201cWe do so think. Cheer up and get on with the story.\u201d<br \/>\n\u201cI\u2019ve been doing a lot of thinking, and before I go around sticking out my neck again I\u2019m going to\u2014\u201d<br \/>\n\u201cYou don\u2019t need to tell me, you know.\u201d<br \/>\n\u201cNo, sir, but I think I\u2019d better. I\u2019m going to Arisia to see if I can get me a few treatments for swelled head and lame brain. I still think that I know how to use the Lens to good advantage, but I simply haven\u2019t got enough jets to do it. You see, I\u2014\u201d He stopped. He would not offer anything that might sound like an alibi; but his thoughts were plain as print to the old Lensman.<br \/>\n\u201cGo ahead, son. We know you wouldn\u2019t.\u201d<br \/>\n\u201cIf I thought at all, I assumed that I was tackling men, since those on the ship were men, and men were the only known inhabitants of the Aldebaranian system. But when those Wheelmen took me so easily and so completely, it became very evident that I didn\u2019t have enough stuff. I ran like a scared pup, and I was lucky to get home at all. It wouldn\u2019t have happened if\u2014 \u201cHe paused.<br \/>\n\u201cIf what? Reason it out, son,\u201d Haynes advised, pointedly. \u201cYou are wrong, dead wrong. You made no mistake, either in judgment or in execution. You have been blaming yourself for assuming that they were men. Let us suppose that you had assumed that they were the Arisians themselves. Then what? After close scrutiny, even in the light of after-knowledge, we do not see how you could have changed the outcome.\u201d<br \/>\nIt did not occur, even to the sagacious old admiral, that Kinnison need not have gone in. Lensmen always went in.<br \/>\n\u201cWell, anyway, they licked me, and that hurts,\u201d Kinnison admitted, frankly. \u201cSo I\u2019m going back to Arisia for more training, if they\u2019ll give it to me. I may be gone quite a while, as it may take even them a long time to increase the permeability of my skull enough so that an idea can filter through it in something under a century.\u201d<br \/>\n\u201cUm-m-m.\u201d Haynes pondered. \u201cIt has never been done. They are a peculiar race, incomprehensible\u2014but not vindictive. They may refuse you, but nothing worse\u2014that is, if you do not cross the barrier without invitation. It\u2019s a splendid idea, I think; but be very careful to strike that barrier free and at almost zero power\u2014or else don\u2019t strike it at all.\u201d\u00a0 p. 126-127<\/p><\/blockquote>\n<p>When Kinnison gets to the planet, the Arisians let him through the barrier and he then undergoes a period of mental gladiatorial training, until such time as he can block his Arisian sponsor\u2019s mental attacks. This section is the best part of the instalment as we find out more about the enigmatic Arisians.<br \/>\nKinnison then goes and tries out his expanded powers on a nearby pirate base, as well as back home, where he mind-wrestles four other Lensmen and wins. Later, he tries two other men for murder, reading their minds and executing the guilty one. This latter is another example of the almost casual brutality of the so-called good guys in this novel, a trait I\u2019ve mentioned before in a review of an earlier instalment.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0118.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11542\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11542\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0118x600.jpg?fit=415%2C600&amp;ssl=1\" data-orig-size=\"415,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0118&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0118x600.jpg?fit=138%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0118x600.jpg?fit=415%2C600&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11542\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0118x600.jpg?resize=415%2C600&#038;ssl=1\" alt=\"\" width=\"415\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0118x600.jpg?w=415&amp;ssl=1 415w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0118x600.jpg?resize=138%2C200&amp;ssl=1 138w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><\/a><\/p>\n<p>The last chapter has Kinnison back at the pirate base, where he overhears that a hospital ship has been captured. He discovers, by mentally taking over the comms guy, that Mac the head nurse is on it. He rescues her from the captain while letting Mac know it\u2019s him. He then foments a fight between the base commander and the comms guy.<br \/>\nOne of the weaker of the six instalments.<\/p>\n<p>The crude\u00a0<strong><em>Cover<\/em><\/strong> is by Wesso, who also contributes <strong><em>Interior artwork<\/em><\/strong> along with Jack Binder (brother of Eando Binder), and Elliott Dold, Jr. Wesso\u2019s illustrations look the best to me but I also liked a couple of Binder\u2019s.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0063.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11528\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11528\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0063x600.jpg?fit=415%2C600&amp;ssl=1\" data-orig-size=\"415,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0063&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0063x600.jpg?fit=138%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0063x600.jpg?fit=415%2C600&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11528\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0063x600.jpg?resize=415%2C600&#038;ssl=1\" alt=\"\" width=\"415\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0063x600.jpg?w=415&amp;ssl=1 415w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0063x600.jpg?resize=138%2C200&amp;ssl=1 138w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><\/a><\/p>\n<p><strong><em>Power Plants of Tomorrow: Harnessing the Sun\u2019s Rays<\/em><\/strong> by Willy Ley is an interesting science article looking at, believe it or not, alternative power sources, and for the usual reasons:<\/p>\n<blockquote><p>Professor Bernard Dubos had studied the problem of harnessing solar energy for many years before he delivered his famous lecture. He had studied the steadily increasing energy demands of civilization. He knew that the natural resources were dwindling rapidly. At the World Congress of Geologists, in 1913, it had been estimated that there would be no coal left in about a thousand years. In England and in Germany the resources would last only for about 200 years; in America for a little over 1500 years; in other countries for even shorter periods of time. This statement had been called pessimistic by others, because there are certainly still large unknown coal deposits in Africa, Asia and possibly on the Antarctic Continent. On the other hand, the demand for power had increased much more rapidly than it had been thought. It appeared probable that the World Congress of Geologists had even been optimistic.\u00a0 p. 64<\/p>\n<p>An estimate which has to be called conservative says that 1,000,000,000 h.p. will yell for fuel in 1970. Another 1,000,000,000 h.p. in automobiles, airplanes and ships is to be added to this figure. In 1970 there will be hardly any natural oil left and the coal deposits will probably be reserved for the chemical industries that need them much more badly than anybody else. In short, the situation is serious. New sources of power will have to be found and exploited to the utmost.\u00a0 p. 65<\/p><\/blockquote>\n<p>The article concentrates on two proposed solar power projects, one of which is a direct application:<\/p>\n<blockquote><p>His power plant utilizes the fact that air on a hot plain, say an African desert, is hotter and denser than that one or two miles above the plain.<br \/>\nActual measurements show that there is a difference of pressure of not less than 6.5 inches of mercury between sea level and 6500 feet altitude. If it were possible to build a large chimney, 6000 feet high, on such a plain, the \u201ccompressed\u201d air at set level would try to escape through it. It would rise upward in the chimney with a speed about three times as fast as that of the strongest natural cyclones.<br \/>\nSuch a chimney is a technical impossibility, if one thinks of it as standing free. But Dubos does not propose a free-standing chimney, even though his demonstration before the French Academy of Sciences may suggest the thought. He thinks of a long tube leaning against a steep mountain slope. The wind tube is to have a diameter of about 35 feet. At its bottom it is to flare out into a glass roof like that of a large hothouse, so that additional heat is built up. Since it is essential that the air, while rushing upward in the tube, does not lose much of its heat, the tube should not be constructed of metal. Light concrete suggests itself, therefore, because it has all the features desired: heat insulating properties, low price, light weight and sufficient resistance.<br \/>\nDubos\u2019 invention is not only amazingly simple, it also has the advantage of being easy to construct. There are no technical difficulties at all involved in the construction of wind tube and glass roof. One might only say that wind turbines of the size and of the capacity needed have not been built before. Unfortunately, the invention is not generally applicable. It assumes a mountain of medium height in the immediate vicinity of a deep-lying hot plain.<br \/>\nBut these conditions prevail on many parts of the Earth where electric power would be welcome; Dubos himself thought principally of the Atlas Mountains in North Africa.<br \/>\nThe session of the French Academy of Sciences ended with unanimous approval of Dubos\u2019 ideas and a recommendation of his plans as a feasible means to harness solar power.\u00a0 p. 65-66<\/p><\/blockquote>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0064.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11530\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11530\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0064x600.jpg?fit=790%2C600&amp;ssl=1\" data-orig-size=\"790,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0064&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0064x600.jpg?fit=263%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0064x600.jpg?fit=625%2C475&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11530\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0064x600.jpg?resize=625%2C475&#038;ssl=1\" alt=\"\" width=\"625\" height=\"475\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0064x600.jpg?w=790&amp;ssl=1 790w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0064x600.jpg?resize=263%2C200&amp;ssl=1 263w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0064x600.jpg?resize=624%2C474&amp;ssl=1 624w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p>The other project involves pumping water from the Mediterranean over the mountains to the Sea of Galilee (208 meters lower) or the Dead Sea (394 metres lower), producing hydroelectric power on the way down, with the water finally evaporating from the Dead Sea, or being used for irrigation.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0106.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11538\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11538\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0106x600.jpg?fit=790%2C600&amp;ssl=1\" data-orig-size=\"790,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0106&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0106x600.jpg?fit=263%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0106x600.jpg?fit=625%2C475&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11538\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0106x600.jpg?resize=625%2C475&#038;ssl=1\" alt=\"\" width=\"625\" height=\"475\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0106x600.jpg?w=790&amp;ssl=1 790w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0106x600.jpg?resize=263%2C200&amp;ssl=1 263w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0106x600.jpg?resize=624%2C474&amp;ssl=1 624w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p><strong><em>Rocket Flight<\/em><\/strong> by Leo Vernon is another interesting article, this time on the mathematics of space flight. I didn\u2019t follow all the algebra (my differential calculus days are long behind me) but it is fascinating to see this pre-spaceflight number-crunching, and the practical conclusions the author manages to deduce from the math:<\/p>\n<blockquote><p>First we might try putting more fuel in the rocket, but probably everybody will agree that it would be unreasonable to have more than the original weight made up of fuel. The second is that it will be best to try to increase the exhaust velocity. The third is the observation that it is advisable to get up and away as quickly as possible. The slower the rocket starts, the better chance gravity has to act on it and pull it back\u2014with the consequence that still more fuel will be needed to build up to a high velocity.<br \/>\nIt really looks as if the vital factor is exhaust velocity. With the present experimental values given by Ley, it would be possible to get a rocket up at fair velocity. But it couldn\u2019t go very far out and have enough fuel left to make a decent landing. That won\u2019t prevent us, though, from using our imaginations. It is always possible that in the not-too-distant future experimenters will find that higher exhaust velocity.\u00a0 p. 112<\/p><\/blockquote>\n<p><em>A practical conclusion drawn by the author is that for actual flight into space, with a chance of getting back safely to Earth, he would want to be guaranteed an exhaust velocity of at least 160,000 feet per second before entering the rocket.<\/em> p. 114<\/p>\n<p>I looked to see if I could find an exhaust velocity figure for <em>Vostok<\/em> 1, but the data provided uses different measures. In any event the author\u2019s calculations are challenged in later letter columns.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0152.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"11548\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=11548\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0152x600.jpg?fit=415%2C600&amp;ssl=1\" data-orig-size=\"415,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ASF38-01 0152&amp;#215;600\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0152x600.jpg?fit=138%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0152x600.jpg?fit=415%2C600&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-full wp-image-11548\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0152x600.jpg?resize=415%2C600&#038;ssl=1\" alt=\"\" width=\"415\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0152x600.jpg?w=415&amp;ssl=1 415w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/ASF38-01-0152x600.jpg?resize=138%2C200&amp;ssl=1 138w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><\/a><\/p>\n<p>In <strong><em>Science Discussions<\/em><\/strong> there is a letter about time-travel, followed by Campbell\u2019s reply (as Arthur McCann) to his own article on atomic power plants. He discusses the economics of power supply before philosophically musing about the benefits of research:<\/p>\n<blockquote><p>Research is not wasted human effort, because it can never be truly called unsuccessful. Though the desired goal may not be attained, the knowledge that the attempted course is a blind alley is valuable wisdom; it may, for instance, prevent the building of that unsuccessful atomic power plant that would stand a useless monument to human effort honestly expended, and forever lost to Man\u2019s advancement.<br \/>\nCapital is concentrated human effort: interest the measure of its return in lightened labor. That is the only way to determine whether a thing is an advancement or a retrogression in Man\u2019s evolution.\u00a0 p. 153<\/p><\/blockquote>\n<p><strong><em>Brass Tacks<\/em><\/strong> has a number of letters welcoming the return of the column\u00a0(which has not appeared recently), and there are\u00a0comments about the fiction and artwork. <em>Galactic Patrol<\/em>, and Arthur Burke\u2019s novella, <em>The Golden Horseshoe<\/em> (November 1937), draw praise; de Camp\u2019s <em>The Isolinguals<\/em> (September 1937) gets a couple of pans.<\/p>\n<p>In conclusion, not a particularly good issue but an interesting one.<br \/>\nP.S. The reason there is\u00a0a seasonal advert below is that I had originally planned this post on the 21<sup>st<\/sup> of December, which I thought was the magazine\u2019s 70th anniversary until I noticed that I\u2019d looked up the copyright date for the January 1939 issue and not the January 1938 one (the 15<sup>th<\/sup> December 1937). There is nothing like a missed deadline to take the wind out of your sails. . . .<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3802\" data-permalink=\"https:\/\/sfmagazines.com\/?attachment_id=3802\" data-orig-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/Xmas-Chesterfield.jpg?fit=441%2C600&amp;ssl=1\" data-orig-size=\"441,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Xmas Chesterfield\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/Xmas-Chesterfield.jpg?fit=147%2C200&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/Xmas-Chesterfield.jpg?fit=441%2C600&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"size-full wp-image-3802 aligncenter\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/Xmas-Chesterfield.jpg?resize=441%2C600&#038;ssl=1\" alt=\"\" width=\"441\" height=\"600\" srcset=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/Xmas-Chesterfield.jpg?w=441&amp;ssl=1 441w, https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/uploads\/2017\/12\/Xmas-Chesterfield.jpg?resize=147%2C200&amp;ssl=1 147w\" sizes=\"auto, (max-width: 441px) 100vw, 441px\" \/><\/p>\n<p style=\"text-align: center;\">_____________________<\/p>\n<p>1. Alva Rogers states in <em>A Requiem for Astounding<\/em>:<\/p>\n<blockquote><p>The September, 1937 issue of Astounding was to be Tremaine\u2019s last as editor.<br \/>\n[. . .]<br \/>\nAt first there was nothing to intimate to the average reader that a change in editors had taken place: the magazine in those days did not list the name of the editor on the contents page as it was to do later. The \u201cflavour\u201d of the magazine in the last three issues of 1937 was still that of Tremaine, and remained so, substantially, until Tremaine left Street &amp; Smith in May of 1938 and his backlog of stories was used up.\u00a0 p. 48-49<\/p><\/blockquote>\n<p><span style=\"font-size: 1rem;\">There is much more specific information about Campbell\u2019s early editorship in <\/span><em style=\"font-size: 1rem;\">Fantasy Commentator<\/em><span style=\"font-size: 1rem;\"> #59\/60, Spring 2011, by Sam Moskowitz and A. Langley Searles (available at <\/span><a style=\"font-size: 1rem;\" href=\"http:\/\/www.lulu.com\/shop\/a-langley-searles\/fantasy-commentator\/paperback\/product-15530424.html\">Lulu.com<\/a><span style=\"font-size: 1rem;\"> and highly recommended). It has one article, <\/span><em style=\"font-size: 1rem;\">Inside John W. Campbell<\/em><span style=\"font-size: 1rem;\">, which uses\u00a0his letters to Searles between 1936 and 1952, \u2018as interpreted and annotated by Sam Moskowitz\u2019:<\/span><em><br \/>\n<\/em><\/p>\n<blockquote><p>For the sake of history, Campbell establishes beyond rebuttal the date he became editor of <em>Astounding Stories<\/em>. On <em>Astounding Stories<\/em> stationary, labeled \u201cEditorial Department\u201d, dated October 5, 1937, a letter was received by Swisher which said simply: \u201cDear Mr. Swisher; Hiya, Bob!\u201d and signed \u201cSincerely, John W. Campbell, Jr., Editor.\u201d<br \/>\nSwisher, his closest friend, had no indication that Campbell had been negotiating for the position. Tremaine, promoted out of the editorial capacity, needed a replacement in a hurry. Campbell was always under foot, and having been tutored by Mort Weisinger in some of the technical aspects of editing, as well as known to be on an almost desperate search for a job, was a likely candidate. Later information indicated that his starting salary was $30 a week.\u00a0 p. 60-61<\/p><\/blockquote>\n<p>2. Avram Davidson\u2019s first issue as editor of <em>F&amp;SF<\/em> (April 1962) used\u00a0stories bought by the previous editor Robert P. Mills. See footnote 4 <a href=\"https:\/\/sfmagazines.com\/?p=3283\">here<\/a>.<\/p>\n<p>3. <em>Fantasy Commentator<\/em> #59\/60 has this on what Campbell was doing in his first weeks in the job:<\/p>\n<blockquote><p>[Oct. 24] \u201cI\u2019m working on the editorial for the January, 1938 issue (apparently the first that Campbell had any editorial involvement with) and I\u2019m announcing that the next issue, February, 1938, will be a \u2018mutant\u2019 issue, and the first of others to come. Watch for it! Ballyhoo! Hey-hey! And so forth&#8230;The change in this case is going to be the cover: For some months, I\u2019m going to try to run a series of covers that will be genuine art-work, first-class work with none of the lurid-color idea that mags have been using. The subject of the first cover will be, for instance, Saturn as seen from Mimas (a moon) in accurate, astronomically calculated representation. It will illustrate a story, too (That cover was actually the Sun as seen from Mercury illustrating \u2018Mercutian Adventure\u2019 by Raymond Z. Gallun).\u201d\u00a0 p. 61-62<\/p>\n<p>[Oct. 24] \u201cI have finished <em>Galactic Patrol<\/em>.<br \/>\n[. . .]<br \/>\n\u201cYou know, one of the problems of editing is correction of the author\u2019s manuscript. Now, what should one do with \u2018space ship\u2019? Should it be spaceship, space ship, or space-ship? And rocket tube? And rocket ship? And should \u201cEarth\u201d be capitalized? And can you have an earthquake on Mars? And do Martian plants grow in rich, black earth? And is Kinnison Kimball a gray Lensman, or a Gray Lensman?<br \/>\n\u201cFor awhile, I\u2019m tied down by editing policy used in <em>Galactic Patrol<\/em>, which must be consistent, and with which the mag has to be consistent. But after February (1938). I\u2019m going to cut loose and do some high and mighty deciding.\u201d\u00a0 p. 62<\/p>\n<p>[Oct. 24] \u201cWe\u2019re running a Fearn novelette in the January (1938) <em>Astounding<\/em> (\u2018Red Heritage\u2019). It isn\u2019t perfect, we know\u2014 I\u2019ve tried to eliminate most of the utterly cracked ideas\u2014but remember, we have to fill the mag, and that a lot of birds who pay two solid silver dimes for it like Fearn\u2019s stuff.\u201d\u00a0 p. 62-63<\/p>\n<p>[Oct. 30] \u201cRe Fearn: I delighted in bouncing one of his wilder maunderings, \u201cWanderers of Ray\u201d in which he had a super-science race build the solar system as a matter of convenience, then gave them space-ships so weak they had a helluva time pulling out of the gravity of Saturn. I took one of his, \u2018Red Heritage,\u2019 (<em>Astounding Stories<\/em>, January 1938), that really wasn\u2019t too bad.<br \/>\n[. . .]<br \/>\n\u201cI\u2019m going to pass some. I know now I\u2019ll have to. For instance: Binder\u2019s new story, \u2018The Anti-Weapon\u2019. Actually, I\u2019m allowing his anti-weapon\u2014which happens to have an inconsistent, but actually unimportant explanation\u2014as motivation for an interesting story.\u201d\u00a0 p. 65<\/p><\/blockquote>\n<p>Moskowitz\u2019s observation about the January issue being the first that Campbell had any editorial involvement with is contradicted earlier in the same letter:<\/p>\n<blockquote><p>[Oct 30] \u201cThat \u2018Time Contractor\u2019 thing was purchased, edited, and set in type before I came along (by Eando Binder, Astounding Stories, December, 1937). Tremaine didn\u2019t realize that (Dr. Ernest Orlando) Lawrence was a genuine, living character (the inventor of the cyclotron, 1931). I went over the pages and did some drastic and expensive rearranging on that thing as it was. What came out was real mild to the little honey Binder originally had (the entire incredibly dull story read like one of Campbell\u2019s scientific explanations in one of his super science epics). Binder had his character discovering radio-elements, positrons, and various other things several years before Lawrence, and beat the Englishman to the neutron (the Englishman was named\u2014 I\u2019ve forgotten it) . . .\u201d\u00a0 p. 65<\/p><\/blockquote>\n<p>So there is also an argument for the December issue being Campbell\u2019s \u2018first\u2019. Other people point to the March 1938 issue\u2014when the magazine changes its name from <em>Astounding Stories<\/em> to <em>Astounding Science-Fiction <\/em>(see also Campbell\u2019s comments from October 24<sup>th<\/sup> about his intention to \u2018cut loose and do some high and mighty deciding\u2019 after the February issue). You could also point to\u00a0later in 1938:<\/p>\n<blockquote><p>[May 18] \u201cStreet &amp; Smith got a new president. The new president tired Mr. Blackwell, ex-Editor-in-Chief and Mr. Tremaine, ex-assistant-Editor-in-Chief. Rearrangements and changes followed, naturally, with the result that I am now all of Astounding. There isn\u2019t any more. No assistants, no readers, no nobody. For a week or so me and the cat with flypaper on all four paws were about equally busy.<br \/>\n\u201cAnyhow, that began to simmer down and quiet, when I found it necessary to stir it up a little more and wish some work on the \u2018staff.\u201d (That meant that until October, 1938 the strong influence of Tremaine\u2019s direction would continue to be felt, after that it would be predominantly Campbell. His letters confirm what I wrote in my article \u2018The Face of Facts,\u2019 in Redd Bogg\u2019s magazine. <em>Skyhook<\/em>, for Summer, 1952. At the time it was believed that Tremaine had left <em>Astounding<\/em> when Campbell was brought aboard in October, 1937. Tremaine extended his stay until May, 1938. This was also supported by an interview included in the above-cited article. Until Tremaine left, Campbell was acting as first reader on the choice of stories, submitting those he thought best to Tremaine who made the final decision. Of course, if Campbell slipped up on a good story and rejected it without ever showing it to Tremaine, a competitor got it. Tremaine\u2019s reasons for leaving were exactly those stated in Campbell\u2019s letters.)\u00a0 p. 87<\/p><\/blockquote>\n<p>4. According to <a href=\"http:\/\/www.isfdb.org\/cgi-bin\/adv_search_results.cgi?START=0&amp;TYPE=Title&amp;exact=11816&amp;ORDERBY=title_title\">ISFDB<\/a> F. Orlin Tremaine also used the Warner Van Lorne pseudonym on one occasion.<\/p>\n<p>5. Whether it was the quality of his work or other factors, Nelson Tremaine\u2019s short career as an <em>Astounding<\/em> writer was coming to an end: he would appear once more in the magazine with <em>The Blue-Men of Yrano<\/em> in the January 1939 issue. There were a few appearances in other magazines and that was it.<\/p>\n<p>6. <em>Fantasy Commentator<\/em> #59\/60 has Campbell explaining to Swisher the genesis of his story in this issue:<\/p>\n<blockquote><p>[Oct 04] Tremaine, when I last called on him, suggested that he needed a 12,000 word story within six days\u2014would I please oblige. Ye Gods! I hadn&#8217;t an idea on tap\u2014having just finished &#8216;Cloak of Aesir\u2019, and having it home waiting, I felt all caught up. Stewed for three of the six days trying to get an acceptable idea to start with. A Don A. Stuart story plot wanted\u2014in a hurry. Try it sometime. The harder you want ideas, the blanker your mind gets. Finally I got one, and set to work. High pressure work, but working kinda latish. Of course, to add to the fun Dona rejected the first five starts, by which time we were both groggy with words.\u00a0 p.59<\/p><\/blockquote>\n<p>7. The \u2018Uplift\u2019 page at SFE is <a href=\"http:\/\/sf-encyclopedia.com\/entry\/uplift\">here<\/a>. Wellman\u2019s story doesn\u2019t get a mention but last issue\u2019s <em>Mana<\/em> by Eric Frank Russell does, even though the Uplift theme only surfaces at the end of what is essentially a last-man-on Earth piece. I\u2019d also reference Wellman\u2019s story ahead of de Camp\u2019s soon to appear (and also mentioned at SFE) \u2018Johnny Black\u2019 stories too.<\/p>\n<p>8. Fearn has three stories in this issue and one in the next, then, as far as I can see, never appears in <em>Astounding<\/em> again. Initially, I thought this was Campbell dumping all the pulp writers he didn\u2019t like (as mentioned before Van Lorne was another who would contribute only one more story) but Campbell\u2019s comments above would seem to belie this idea.\u00a0 \u25cf<\/p>\n<p><em>Edited 18th November 2019, added artwork and links, and changed formatting.<\/em><\/p>\n<span class=\"synved-social-container synved-social-container-follow\"><a class=\"synved-social-button synved-social-button-follow synved-social-size-16 synved-social-resolution-normal synved-social-provider-rss nolightbox\" data-provider=\"rss\" target=\"_blank\" rel=\"nofollow\" title=\"Subscribe to our RSS Feed\" href=\"http:\/\/feeds.feedburner.com\/SFMagazines\" style=\"font-size: 0px;width:16px;height:16px;margin:0;margin-bottom:5px\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" alt=\"rss\" title=\"Subscribe to our RSS Feed\" class=\"synved-share-image synved-social-image synved-social-image-follow\" width=\"16\" height=\"16\" style=\"display: inline;width:16px;height:16px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/16x16\/rss.png?resize=16%2C16&#038;ssl=1\" \/><\/a><a class=\"synved-social-button synved-social-button-follow synved-social-size-16 synved-social-resolution-hidef synved-social-provider-rss nolightbox\" data-provider=\"rss\" target=\"_blank\" rel=\"nofollow\" title=\"Subscribe to our RSS Feed\" href=\"http:\/\/feeds.feedburner.com\/SFMagazines\" style=\"font-size: 0px;width:16px;height:16px;margin:0;margin-bottom:5px\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" alt=\"rss\" title=\"Subscribe to our RSS Feed\" class=\"synved-share-image synved-social-image synved-social-image-follow\" width=\"16\" height=\"16\" style=\"display: inline;width:16px;height:16px;margin: 0;padding: 0;border: none;box-shadow: none\" src=\"https:\/\/i0.wp.com\/sfmagazines.com\/wp-content\/plugins\/social-media-feather\/synved-social\/image\/social\/regular\/32x32\/rss.png?resize=16%2C16&#038;ssl=1\" \/><\/a><\/span>","protected":false},"excerpt":{"rendered":"<p>ISFDB Archive.org _____________________ Editor, John W. Campbell Jr. Fiction: Ormoly of Roonerion \u2022 novelette by Nelson Tremaine [as by Warner Van Lorne] &#8211; The Voice out of Space \u2022 short story by Clifton B. Kruse &#8211; Dead Knowledge \u2022 novelette by John W. Campbell, Jr. [as by Don A. Stuart] \u2217\u2217\u2217 Pithecanthropus Rejectus \u2022 short [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[15],"tags":[],"class_list":["post-3750","post","type-post","status-publish","format-standard","hentry","category-astounding"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Pcj7-Yu","jetpack-related-posts":[],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/sfmagazines.com\/index.php?rest_route=\/wp\/v2\/posts\/3750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sfmagazines.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sfmagazines.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sfmagazines.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sfmagazines.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3750"}],"version-history":[{"count":5,"href":"https:\/\/sfmagazines.com\/index.php?rest_route=\/wp\/v2\/posts\/3750\/revisions"}],"predecessor-version":[{"id":11550,"href":"https:\/\/sfmagazines.com\/index.php?rest_route=\/wp\/v2\/posts\/3750\/revisions\/11550"}],"wp:attachment":[{"href":"https:\/\/sfmagazines.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sfmagazines.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sfmagazines.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}