{"id":11745,"date":"2019-12-18T20:55:38","date_gmt":"2019-12-18T20:55:38","guid":{"rendered":"http:\/\/sfmagazines.com\/?page_id=11745"},"modified":"2020-03-06T14:39:29","modified_gmt":"2020-03-06T14:39:29","slug":"1945-retro-hugos","status":"publish","type":"page","link":"https:\/\/sfmagazines.com\/?page_id=11745","title":{"rendered":"1945 Retro Hugos"},"content":{"rendered":"

(This page last updated: 6th<\/sup> March 2020*)<\/p>\n

The table below\u2020 contains the 1944 fiction eligible for the 1945 Retro Hugo Awards. Please use the contact form below to inform me of any omissions.<\/p>\n

There are other recommendation lists and ISFDB searches below the table.<\/p>\n

If you wish to vote, join the 2020 Worldcon<\/a>.<\/p>\n

_____________________<\/p>\n

Table of Fiction and Links<\/strong><\/p>\n

The columns are sortable by Author<\/strong> (first\/surname order), Title<\/strong>, story length (L<\/strong>), publication (P<\/strong>), and my rating (RA<\/strong>), and there are also columns with links to my reviews (RE<\/strong>), and those of Retro Science Fiction Reviews<\/a> (RR<\/strong>).
\nThere is a search box at the top right of the table and at the bottom of each column.
\nClick on the title of the story for a reading copy (NL<\/strong> indicates no link).<\/p>\n

n<\/strong>=novel, na<\/strong>=novella, nv<\/strong>=novelette, ss<\/strong>=short story (check the\u00a0ISFDB<\/a>\u00a0lengths if in doubt).<\/p>\n

AMZ<\/strong>=Amazing Stories<\/em>; ARG<\/strong>=Argosy<\/em>; AST<\/strong>=Astounding Science-Fiction<\/em>; CAP<\/strong>=Captain Future<\/em>;\u00a0FAN<\/strong>=Fantastic Adventures<\/em>; PLA<\/strong>=Planet Stories<\/em>; STA<\/strong>=Startling Stories<\/em>; TWS<\/strong>, Thrilling Wonder Stories<\/em>;\u00a0WET<\/strong>=Weird Tales<\/em>.<\/p>\n

Collaborations appear twice, in first+second contributor name order as published, and in second+first name order (this latter form is asterisked).<\/p>\n\n

\n \n \n\n \n \n \n \n\n\n Author<\/th> Title<\/th> L<\/th> P<\/th> RA<\/th> RE<\/th> RR<\/th> RR<\/th> <\/tr>\n<\/thead>\n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
Hal Clement<\/td>\n Technical Error<\/a><\/td>\n nv<\/td>\n AST, Jan<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
P. Schuyler Miller<\/td>\n As Never Was<\/a><\/td>\n ss<\/td>\n AST, Jan<\/td>\n **<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Malcolm Jameson<\/td>\n The Leech<\/a><\/td>\n nv<\/td>\n AST, Jan<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
A. E. van Vogt<\/td>\n Far Centaurus<\/a><\/td>\n ss<\/td>\n AST, Jan<\/td>\n **<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Frank B. Long<\/td>\n Alias the Living<\/a><\/td>\n ss<\/td>\n AST, Jan<\/td>\n -<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Clifford D. Simak<\/td>\n Ogre<\/a><\/td>\n nv<\/td>\n AST, Jan<\/td>\n ***+<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
George Holman<\/td>\n Sourdough<\/a><\/td>\n ss<\/td>\n AST, Jan<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Jerry Shelton<\/td>\n Light Trap<\/a><\/td>\n ss<\/td>\n AST, Jan<\/td>\n -<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
H. O. Hoadley<\/td>\n Picture from Tokyo<\/a><\/td>\n ss<\/td>\n AST, Jan<\/td>\n -<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Malcolm Jameson<\/td>\n The Vacuumulator<\/a><\/td>\n ss<\/td>\n AST, Jan<\/td>\n -<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ray Karden<\/td>\n Cash on the Dimension<\/a><\/td>\n ss<\/td>\n AST, Jan<\/td>\n -<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
George O. Smith<\/td>\n Off the Beam<\/a><\/td>\n nv<\/td>\n AST, Feb<\/td>\n **<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Lester del Rey<\/td>\n Though Dreamers Die<\/a><\/td>\n nv<\/td>\n AST, Feb<\/td>\n ***<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Murray Leinster<\/td>\n Plague<\/a><\/td>\n nv<\/td>\n AST, Feb<\/td>\n -<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Fritz Leiber<\/td>\n Taboo<\/a><\/td>\n ss<\/td>\n AST, Feb<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Malcolm Jameson<\/td>\n The Anarch<\/a><\/td>\n nv<\/td>\n AST, Feb<\/td>\n ***<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Isaac Asimov<\/td>\n Catch That Rabbit<\/a><\/td>\n ss<\/td>\n AST, Feb<\/td>\n -<\/td>\n SF<\/a><\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
E. Mayne Hull<\/td>\n The Contract<\/a><\/td>\n nv<\/td>\n AST, Mar<\/td>\n **<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
A. E. van Vogt<\/td>\n The Rulers<\/a><\/td>\n ss<\/td>\n AST, Mar<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
George O. Smith<\/td>\n Circle of Confusion<\/a><\/td>\n nv<\/td>\n AST, Mar<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Eric Frank Russell<\/td>\n Controller<\/a><\/td>\n nv<\/td>\n AST, Mar<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Henry Kuttner & C. L. Moore*<\/td>\n The Children's Hour<\/a><\/td>\n nv<\/td>\n AST, Mar<\/td>\n ****+<\/td>\n SF<\/a><\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
C. L. Moore & H. Kuttner<\/td>\n The Children's Hour<\/a><\/td>\n nv<\/td>\n AST, Mar<\/td>\n ****+<\/td>\n SF<\/a><\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Cleve Cartmill<\/td>\n Deadline<\/a><\/td>\n nv<\/td>\n AST, Mar<\/td>\n *<\/td>\n SF<\/a><\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
A. E. van Vogt<\/td>\n The Changeling<\/a><\/td>\n na<\/td>\n AST, Apr<\/td>\n *<\/td>\n SF<\/a><\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
George O. Smith<\/td>\n The Long Way<\/a><\/td>\n nv<\/td>\n AST, Apr<\/td>\n *<\/td>\n SF<\/a><\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
John R. Pierce<\/td>\n Invariant<\/a><\/td>\n ss<\/td>\n AST, Apr<\/td>\n **<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Malcolm Jameson<\/td>\n The Bureaucrat<\/a><\/td>\n nv<\/td>\n AST, Apr<\/td>\n ***<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Clifford D. Simak<\/td>\n Lobby<\/a><\/td>\n ss<\/td>\n AST, Apr<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Fritz Leiber<\/td>\n Sanity<\/a><\/td>\n ss<\/td>\n AST, Apr<\/td>\n ***<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
George O. Smith<\/td>\n Latent Image<\/a><\/td>\n nv<\/td>\n AST, May<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
A. Bertram Chandler<\/td>\n \"This Means War!\"<\/a><\/td>\n ss<\/td>\n AST, May<\/td>\n **<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
E. M. Hull & A. E. van Vogt<\/td>\n The Winged Man (Part 1 of 2)<\/a><\/td>\n na<\/td>\n AST, May<\/td>\n ***+<\/td>\n SF<\/a><\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
A. E. van Vogt & E. M. Hull*<\/td>\n The Winged Man (Part 1 of 2)<\/a><\/td>\n na<\/td>\n AST, May<\/td>\n ***+<\/td>\n SF<\/a><\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Fredric Brown<\/td>\n The Yehudi Principle<\/a><\/td>\n ss<\/td>\n AST, May<\/td>\n **<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
P. Schuyler Miller<\/td>\n Cuckoo<\/a><\/td>\n nv<\/td>\n AST, May<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Roby Wentz<\/td>\n House of Tomorrow<\/a><\/td>\n ss<\/td>\n AST, May<\/td>\n **+<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Clifford D. Simak<\/td>\n City<\/a><\/td>\n nv<\/td>\n AST, May<\/td>\n **<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Chester S. Geier<\/td>\n Environment<\/a><\/td>\n ss<\/td>\n AST, May<\/td>\n **<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Murray Leinster<\/td>\n Trog<\/a><\/td>\n na<\/td>\n AST, Jun<\/td>\n -<\/td>\n SF<\/a><\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Hal Clement<\/td>\n Trojan Fall<\/a><\/td>\n ss<\/td>\n AST, Jun<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Fredric Brown<\/td>\n Arena<\/a><\/td>\n nv<\/td>\n AST, Jun<\/td>\n ***+<\/td>\n SF<\/a><\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Harry Walton<\/td>\n Boomerang<\/a><\/td>\n ss<\/td>\n AST, Jun<\/td>\n **+<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
George Holman<\/td>\n Contagion<\/a><\/td>\n ss<\/td>\n AST, Jun<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Randall Garrett<\/td>\n The Absence of Heat<\/a><\/td>\n ss<\/td>\n AST, Jun<\/td>\n -<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Robert Browning (II)<\/td>\n Secret Weapon<\/a><\/td>\n ss<\/td>\n AST, Jun<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
E. M. Hull & A. E. van Vogt<\/td>\n The Winged Man (Part 2 of 2)<\/a><\/td>\n n<\/td>\n AST, Jun<\/td>\n **<\/td>\n SF<\/a><\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
A. E. van Vogt & E. M. Hull*<\/td>\n The Winged Man (Part 2 of 2)<\/a><\/td>\n n<\/td>\n AST, Jun<\/td>\n **<\/td>\n SF<\/a><\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Raymond F. Jones<\/td>\n Renaissance (Part 1 of 4)<\/a><\/td>\n n<\/td>\n AST, Jul<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Fritz Leiber<\/td>\n Thought<\/a><\/td>\n ss<\/td>\n AST, Jul<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Clifford D. Simak<\/td>\n Huddling Place<\/a><\/td>\n ss<\/td>\n AST, Jul<\/td>\n ***<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Raymond F. Jones<\/td>\n Utility<\/a><\/td>\n ss<\/td>\n AST, Jul<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Isaac Asimov<\/td>\n The Big and the Little<\/a><\/td>\n nv<\/td>\n AST, Aug<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
A. E. van Vogt<\/td>\n Juggernaut<\/a><\/td>\n ss<\/td>\n AST, Aug<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Raymond F. Jones<\/td>\n Renaissance (Part 2 of 4)<\/a><\/td>\n n<\/td>\n AST, Aug<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Frank Belknap Long<\/td>\n Bridgehead<\/a><\/td>\n nv<\/td>\n AST, Aug<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Clifford D. Simak<\/td>\n Census<\/a><\/td>\n nv<\/td>\n AST, Sep<\/td>\n ***+<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
A. E. van Vogt<\/td>\n A Can of Paint<\/a><\/td>\n ss<\/td>\n AST, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Jerry Shelton<\/td>\n Culture<\/a><\/td>\n ss<\/td>\n AST, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Fritz Leiber<\/td>\n Business of Killing<\/a><\/td>\n ss<\/td>\n AST, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Malcolm Jameson<\/td>\n Hobo God<\/a><\/td>\n ss<\/td>\n AST, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
John H. Pomeroy<\/td>\n Icicle Built for Groo<\/a><\/td>\n ss<\/td>\n AST, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
P. Anderson<\/td>\n A Matter of Relativity<\/a><\/td>\n ss<\/td>\n AST, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Frank Holby<\/td>\n The Thirty-First of June<\/a><\/td>\n ss<\/td>\n AST, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Edward Shulman<\/td>\n The Case of the Invincible Pirate<\/a><\/td>\n ss<\/td>\n AST, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Raymond F. Jones<\/td>\n Renaissance (Part 3 of 4)<\/a><\/td>\n n<\/td>\n AST, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Malcolm Jameson<\/td>\n Blind Man's Buff<\/a><\/td>\n nv<\/td>\n AST, Oct<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
George O. Smith<\/td>\n Beam Pirate<\/a><\/td>\n nv<\/td>\n AST, Oct<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Isaac Asimov<\/td>\n The Wedge<\/a><\/td>\n ss<\/td>\n AST, Oct<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Lester del Rey<\/td>\n Kindness<\/a><\/td>\n ss<\/td>\n AST, Oct<\/td>\n ***<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Thomas Calvert McClary<\/td>\n The Case of Jack Freysling<\/a><\/td>\n ss<\/td>\n AST, Oct<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Raymond F. Jones<\/td>\n Renaissance (Part 4 of 4)<\/a><\/td>\n n<\/td>\n AST, Oct<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Theodore Sturgeon<\/td>\n Killdozer!<\/a><\/td>\n na<\/td>\n AST, Nov<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Clifford D. Simak<\/td>\n Desertion<\/a><\/td>\n ss<\/td>\n AST, Nov<\/td>\n ****<\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Henry Kuttner & C. L. Moore<\/td>\n When the Bough Breaks<\/a><\/td>\n nv<\/td>\n AST, Nov<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
C. L. Moore & H. Kuttner*<\/td>\n When the Bough Breaks<\/a><\/td>\n nv<\/td>\n AST, Nov<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Malcolm Jameson<\/td>\n Alien Envoy<\/a><\/td>\n nv<\/td>\n AST, Nov<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
George O. Smith<\/td>\n Redevelopment<\/a><\/td>\n nv<\/td>\n AST, Nov<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
A. E. van Vogt<\/td>\n The Harmonizer<\/a><\/td>\n ss<\/td>\n AST, Nov<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
George O. Smith<\/td>\n Nomad (Part 1 of 3)<\/a><\/td>\n n<\/td>\n AST, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Malcolm Jameson<\/td>\n Tricky Tonnage<\/a><\/td>\n ss<\/td>\n AST, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
George O. Smith<\/td>\n The Firing Line<\/a><\/td>\n nv<\/td>\n AST, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
George Holman<\/td>\n Agricultural Geology<\/a><\/td>\n ss<\/td>\n AST, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Francis Wilson Powell<\/td>\n That's a Lot of Hot Air!<\/a><\/td>\n ss<\/td>\n AST, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
George W. Hall<\/td>\n Applesauce<\/a><\/td>\n ss<\/td>\n AST, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
C. L. Moore<\/td>\n No Woman Born<\/a><\/td>\n nv<\/td>\n AST, Dec<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Fredric Brown<\/td>\n And the Gods Laughed<\/a><\/td>\n ss<\/td>\n PLA, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Leigh Brackett<\/td>\n The Jewel of Bas<\/a><\/td>\n na<\/td>\n PLA, Spr<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Nelson S. Bond<\/td>\n Wanderers of the Wolf-Moon<\/a><\/td>\n na<\/td>\n PLA, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Damon Knight<\/td>\n The Avenger<\/a><\/td>\n ss<\/td>\n PLA, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ray Bradbury<\/td>\n The Monster Maker<\/a><\/td>\n ss<\/td>\n PLA, Spr<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Robert Abernathy<\/td>\n Saboteur of Space<\/a><\/td>\n ss<\/td>\n PLA, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Basil Wells<\/td>\n Quest's End<\/a><\/td>\n ss<\/td>\n PLA, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Albert dePina<\/td>\n Minions of the Crystal Sphere<\/a><\/td>\n nv<\/td>\n PLA, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Leigh Brackett<\/td>\n Terror Out of Space<\/a><\/td>\n nv<\/td>\n PLA, Sum<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Ray Bradbury<\/td>\n Morgue Ship<\/a><\/td>\n ss<\/td>\n PLA, Sum<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Clifford D. Simak<\/td>\n Mr. Meek\u2014Musketeer<\/a><\/td>\n nv<\/td>\n PLA, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Manly Wade Wellman<\/td>\n Warrior of Two Worlds<\/a><\/td>\n nv<\/td>\n PLA, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Vaseleos Garson<\/td>\n One Against the Stars<\/a><\/td>\n ss<\/td>\n PLA, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
William Conover<\/td>\n The Soul Eaters<\/a><\/td>\n nv<\/td>\n PLA, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Joseph Farrell<\/td>\n Men Without a World<\/a><\/td>\n ss<\/td>\n PLA, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Carl Jacobi<\/td>\n Doctor Universe<\/a><\/td>\n ss<\/td>\n PLA, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Henry Kuttner<\/td>\n The Eyes of Thar<\/a><\/td>\n ss<\/td>\n PLA, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Clifford D. Simak<\/td>\n Mr. Meek Plays Polo<\/a><\/td>\n nv<\/td>\n PLA, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Carl Selwyn<\/td>\n The Citadel of Death<\/a><\/td>\n nv<\/td>\n PLA, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Frederik Pohl<\/td>\n Highwayman of the Void<\/a><\/td>\n nv<\/td>\n PLA, Fal<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Albert dePina<\/td>\n Keeper of the Deathless Sleep<\/a><\/td>\n na<\/td>\n PLA, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Joseph Farrell<\/td>\n Mind-Stealers of Pluto<\/a><\/td>\n nv<\/td>\n PLA, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Wilbur S. Peacock<\/td>\n Chimera World<\/a><\/td>\n nv<\/td>\n PLA, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Manfred A. Carter<\/td>\n Colony of the Unfit\u00a0<\/a><\/td>\n nv<\/td>\n PLA, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Damon Knight<\/td>\n Doorway to Kal-Jmar<\/a><\/td>\n ss<\/td>\n PLA, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Basil Wells<\/td>\n The Hairy Ones<\/a><\/td>\n ss<\/td>\n PLA, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ray Bradbury<\/td>\n Lazarus Come Forth<\/a><\/td>\n ss<\/td>\n PLA, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Frederik Pohl<\/td>\n Double-Cross<\/a><\/td>\n ss<\/td>\n PLA, Win<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
George A. Whittington<\/td>\n Invader from Infinity<\/a><\/td>\n ss<\/td>\n PLA, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
William Morrison<\/td>\n Days of Creation<\/a><\/td>\n n<\/td>\n CAP, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ross Rocklynne<\/td>\n Victory Drums (NL)<\/a><\/td>\n ss<\/td>\n CAP, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Nathaniel Nitkin<\/td>\n The Return of the Ice Age (NL)<\/a><\/td>\n ss<\/td>\n CAP, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Fredric Brown<\/td>\n Nothing Sirius (NL)<\/a><\/td>\n ss<\/td>\n CAP, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Norman A. Daniels<\/td>\n The Great Ego<\/a><\/td>\n na<\/td>\n STA, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Carl Jacobi<\/td>\n Canal<\/a><\/td>\n ss<\/td>\n STA, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Frank Belknap Long<\/td>\n Spawn of the Further Dark<\/a><\/td>\n ss<\/td>\n STA, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Joseph Farrell<\/td>\n The Bard of Ceres<\/a><\/td>\n ss<\/td>\n STA, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Manly Wade Wellman<\/td>\n Strangers on the Heights<\/a><\/td>\n na<\/td>\n STA, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
William Morrison<\/td>\n Get Your Extra Here!<\/a><\/td>\n ss<\/td>\n STA, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
John Russell Fearn<\/td>\n Wanderer of Time<\/a><\/td>\n ss<\/td>\n STA, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Oscar J. Friend<\/td>\n The Serum Rubber Man<\/a><\/td>\n ss<\/td>\n STA, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Leigh Brackett<\/td>\n Shadow Over Mars<\/a><\/td>\n n<\/td>\n STA, Fal<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Carl Jacobi<\/td>\n The Cosmic Doodler<\/a><\/td>\n ss<\/td>\n STA, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Verne Chute<\/td>\n The Mad Domneys<\/a><\/td>\n ss<\/td>\n STA, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Unknown<\/td>\n The Invisible Vandals<\/a><\/td>\n ss<\/td>\n STA, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Henry Kuttner<\/td>\n A God Named Kroo<\/a><\/td>\n na<\/td>\n TWS, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Oscar J. Friend<\/td>\n Venusian Nightmare<\/a><\/td>\n ss<\/td>\n TWS, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ross Rocklynne<\/td>\n The Invisible Army<\/a><\/td>\n nv<\/td>\n TWS, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Henry Kuttner<\/td>\n Trophy<\/a><\/td>\n ss<\/td>\n TWS, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
John Foster West<\/td>\n Moon Trap<\/a><\/td>\n ss<\/td>\n TWS, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Henry Kuttner<\/td>\n Swing Your Lady<\/a><\/td>\n ss<\/td>\n TWS, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Robert Arthur<\/td>\n Space Command<\/a><\/td>\n nv<\/td>\n TWS, Win<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Charles W. Harbaugh<\/td>\n Star of Treasure<\/a><\/td>\n na<\/td>\n TWS, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Oscar J. Friend<\/td>\n Gas Attack<\/a><\/td>\n ss<\/td>\n TWS, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Leigh Brackett<\/td>\n The Veil of Astellar<\/a><\/td>\n nv<\/td>\n TWS, Spr<\/td>\n ***+<\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Joseph Farrell<\/td>\n Juke Box Asteroid<\/a><\/td>\n ss<\/td>\n TWS, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ruth Washburn<\/td>\n Unsung Hero<\/a><\/td>\n ss<\/td>\n TWS, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Manly Wade Wellman<\/td>\n Gambler's Asteroid<\/a><\/td>\n ss<\/td>\n TWS, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ray Cummings<\/td>\n Battle of the Solar System<\/a><\/td>\n nv<\/td>\n TWS, Spr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ross Rocklynne<\/td>\n The Giant Runt<\/a><\/td>\n na<\/td>\n TWS, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Albert dePina<\/td>\n Priestess of Pakmari<\/a><\/td>\n ss<\/td>\n TWS, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Frank Ferry<\/td>\n Horatius at the Bridge<\/a><\/td>\n ss<\/td>\n TWS, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Paul S. Powers<\/td>\n Terror in the Dust<\/a><\/td>\n ss<\/td>\n TWS, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Oscar J. Friend<\/td>\n Helicopter Invasion<\/a><\/td>\n ss<\/td>\n TWS, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
John Russell Fearn<\/td>\n The Devouring Tide<\/a><\/td>\n ss<\/td>\n TWS, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Lloyd Arthur Eshbach<\/td>\n God of Light<\/a><\/td>\n ss<\/td>\n TWS, Sum<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Murray Leinster<\/td>\n The Eternal Now<\/a><\/td>\n nv<\/td>\n TWS, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Paul MacNamara<\/td>\n The Last Man in New York<\/a><\/td>\n nv<\/td>\n TWS, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Alfred G. Kuehn<\/td>\n Bloated Brain<\/a><\/td>\n nv<\/td>\n TWS, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Frank Belknap Long<\/td>\n Beyond the Vortex<\/a><\/td>\n ss<\/td>\n TWS, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Richard Tooker<\/td>\n Mongrovian Caravan<\/a><\/td>\n ss<\/td>\n TWS, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ray Cummings<\/td>\n The Gadget Girl\u00a0<\/a><\/td>\n ss<\/td>\n TWS, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
John Russell Fearn<\/td>\n The Ultimate Analysis<\/a><\/td>\n ss<\/td>\n TWS, Fal<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Seabury Quinn<\/td>\n Bon Voyage, Michele<\/a><\/td>\n nv<\/td>\n WET, Jan<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Manly Wade Wellman<\/td>\n The Golden Goblins<\/a><\/td>\n ss<\/td>\n WET, Jan<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Hannes Bok<\/td>\n Dimensional Doors<\/a><\/td>\n nv<\/td>\n WET, Jan<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Allison V. Harding<\/td>\n House of Hate<\/a><\/td>\n ss<\/td>\n WET, Jan<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Frank Belknap Long<\/td>\n He Came at Dusk<\/a><\/td>\n ss<\/td>\n WET, Jan<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Nelson S. Bond<\/td>\n The Master of Cotswold<\/a><\/td>\n nv<\/td>\n WET, Jan<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Roger S. Vreeland<\/td>\n The Hidden Player<\/a><\/td>\n ss<\/td>\n WET, Jan<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ray Bradbury<\/td>\n The Sea Shell<\/a><\/td>\n ss<\/td>\n WET, Jan<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
August Derleth<\/td>\n The Trail of Cthulhu<\/a><\/td>\n nv<\/td>\n WET, Mar<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Seabury Quinn<\/td>\n The Unbeliever<\/a><\/td>\n ss<\/td>\n WET, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Manly Wade Wellman<\/td>\n Hoofs<\/a><\/td>\n ss<\/td>\n WET, Mar<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Stanton A. Coblentz<\/td>\n The Shoes of Judge Nichols<\/a><\/td>\n ss<\/td>\n WET, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
H. Bedford-Jones<\/td>\n From the House of the Rat Catcher<\/a><\/td>\n ss<\/td>\n WET, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Frank Belknap Long<\/td>\n The Peeper<\/a><\/td>\n ss<\/td>\n WET, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Allison V. Harding<\/td>\n The Marmot<\/a><\/td>\n ss<\/td>\n WET, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ray Bradbury<\/td>\n Reunion<\/a><\/td>\n ss<\/td>\n WET, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Hannes Bok<\/td>\n Tragic Magic<\/a><\/td>\n ss<\/td>\n WET, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Robert Bloch<\/td>\n Iron Mask\u00a0<\/a><\/td>\n nv<\/td>\n WET, May<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Manly Wade Wellman<\/td>\n The Letters of Cold Fire<\/a><\/td>\n ss<\/td>\n WET, May<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Alan Nelson<\/td>\n Man in a Hurry<\/a><\/td>\n ss<\/td>\n WET, May<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
H. Bedford-Jones<\/td>\n Unpublished Story<\/a><\/td>\n ss<\/td>\n WET, May<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Alice-Mary Schnirring<\/td>\n The Dear Departed<\/a><\/td>\n ss<\/td>\n WET, May<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Allison V. Harding<\/td>\n The Day the World Stood Still<\/a><\/td>\n nv<\/td>\n WET, May<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Ray Bradbury<\/td>\n The Lake<\/a><\/td>\n ss<\/td>\n WET, May<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Dorothy Quick<\/td>\n The Gothic Window<\/a><\/td>\n ss<\/td>\n WET, May<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Seabury Quinn<\/td>\n Death's Bookkeeper<\/a><\/td>\n ss<\/td>\n WET, Jul<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Manly Wade Wellman<\/td>\n John Thunstone's Inheritance<\/a><\/td>\n ss<\/td>\n WET, Jul<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
P. Schuyler Miller<\/td>\n Plane and Fancy<\/a><\/td>\n ss<\/td>\n WET, Jul<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
George N. Laws<\/td>\n Stranger in the Mirror<\/a><\/td>\n ss<\/td>\n WET, Jul<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Robert Bloch<\/td>\n The Beasts of Barsac<\/a><\/td>\n nv<\/td>\n WET, Jul<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Allison V. Harding<\/td>\n Guard in the Dark<\/a><\/td>\n ss<\/td>\n WET, Jul<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Crawford Sullivan<\/td>\n The Spare Room<\/a><\/td>\n ss<\/td>\n WET, Jul<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ray Bradbury<\/td>\n There Was an Old Woman<\/a><\/td>\n ss<\/td>\n WET, Jul<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Stanton A. Coblentz<\/td>\n The Man Who Wouldn't Hang<\/a><\/td>\n ss<\/td>\n WET, Jul<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
August Derleth<\/td>\n Lady Macbeth of Pimley Square<\/a><\/td>\n ss<\/td>\n WET, Jul<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Edmond Hamilton<\/td>\n The Shadow Folk<\/a><\/td>\n nv<\/td>\n WET, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Frank Owen<\/td>\n The Long Still Streets of Evening<\/a><\/td>\n ss<\/td>\n WET, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Allison V. Harding<\/td>\n The Seven Seas Are One<\/a><\/td>\n ss<\/td>\n WET, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ray Bradbury<\/td>\n Bang! You're Dead!<\/a><\/td>\n ss<\/td>\n WET, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Robert Bloch<\/td>\n The Devil's Ticket<\/a><\/td>\n ss<\/td>\n WET, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
August Derleth<\/td>\n Pacific 421<\/a><\/td>\n ss<\/td>\n WET, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Manly Wade Wellman<\/td>\n Sorcery from Thule<\/a><\/td>\n ss<\/td>\n WET, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Harold Lawlor<\/td>\n The Wayward Skunk<\/a><\/td>\n ss<\/td>\n WET, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Gardner F. Fox<\/td>\n The Weirds of the Woodcarver<\/a><\/td>\n ss<\/td>\n WET, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Emil Petaja<\/td>\n Monsieur Bluebeard<\/a><\/td>\n ss<\/td>\n WET, sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
August Derleth<\/td>\n The Dweller in Darkness<\/a><\/td>\n nv<\/td>\n WET, Nov<\/td>\n ***<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
August Derleth<\/td>\n A Gentleman from Prague<\/a><\/td>\n ss<\/td>\n WET, Nov<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Allison V. Harding<\/td>\n Ride the El to Doom<\/a><\/td>\n ss<\/td>\n WET, Nov<\/td>\n ***<\/td>\n SF<\/a><\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Ray Bradbury<\/td>\n The Jar<\/a><\/td>\n ss<\/td>\n WET, Nov<\/td>\n **+<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Robert Bloch<\/td>\n The Bat Is My Brother<\/a><\/td>\n ss<\/td>\n WET, Nov<\/td>\n **<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Thorp McClusky<\/td>\n Dark Mummery<\/a><\/td>\n ss<\/td>\n WET, Nov<\/td>\n *<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Manly Wade Wellman<\/td>\n The Dead Man's Hand<\/a><\/td>\n ss<\/td>\n WET, Nov<\/td>\n **<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Hannes Bok<\/td>\n The Ghost Punch<\/a><\/td>\n ss<\/td>\n WET, Nov<\/td>\n **<\/td>\n SF<\/a><\/td>\n <\/td>\n <\/td>\n <\/tr>\n
William P. McGivern<\/td>\n The Mad Robot<\/a><\/td>\n na<\/td>\n AMZ, Jan<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ross Rocklynne<\/td>\n Intruders from the Stars<\/a><\/td>\n na<\/td>\n AMZ, Jan<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
William P. McGivern<\/td>\n Phantom City of Luna<\/a><\/td>\n nv<\/td>\n AMZ, Jan<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ed Earl Repp<\/td>\n Master of the Living Dead<\/a><\/td>\n nv<\/td>\n AMZ, Jan<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Berkeley Livingston<\/td>\n Island of Eternal Storm<\/a><\/td>\n nv<\/td>\n AMZ, Jan<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
William P. McGivern<\/td>\n The Needle Points to Death<\/a><\/td>\n ss<\/td>\n AMZ, Jan<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Meyer Friedenson<\/td>\n The Superman<\/a><\/td>\n ss<\/td>\n AMZ, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Robert Bloch<\/td>\n It's a Small World<\/a><\/td>\n nv<\/td>\n AMZ, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Don Wilcox<\/td>\n Magnetic Miss Meteor<\/a><\/td>\n nv<\/td>\n AMZ, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Leroy Yerxa<\/td>\n Crossed Wires<\/a><\/td>\n nv<\/td>\n AMZ, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Robert Moore Williams<\/td>\n Battle Before Dawn<\/a><\/td>\n ss<\/td>\n AMZ, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Helmar Lewis<\/td>\n Journey in Time to Cleopatra<\/a><\/td>\n nv<\/td>\n AMZ, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ed Earl Repp<\/td>\n Spawn of Jupiter<\/a><\/td>\n nv<\/td>\n AMZ, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Berkeley Livingston<\/td>\n Cokie Goes Treasure Hunting<\/a><\/td>\n ss<\/td>\n AMZ, Mar<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
David V. Reed<\/td>\n Murder in Space<\/a><\/td>\n n<\/td>\n AMZ, May<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ray Bradbury<\/td>\n I, Rocket<\/a><\/td>\n ss<\/td>\n AMZ, May<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Edmond Hamilton<\/td>\n The Free-Lance of Space<\/a><\/td>\n ss<\/td>\n AMZ, May<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Helmar Lewis<\/td>\n The Headless Horror<\/a><\/td>\n nv<\/td>\n AMZ, May<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Emil Petaja<\/td>\n Midas Morgan's Golden Touch<\/a><\/td>\n ss<\/td>\n AMZ, May<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Berkeley Livingston<\/td>\n The Constant Drip<\/a><\/td>\n nv<\/td>\n AMZ, May<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Robert Moore Williams<\/td>\n Star Base X<\/a><\/td>\n nv<\/td>\n AMZ, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
William P. McGivern<\/td>\n The Thinking Cap<\/a><\/td>\n nv<\/td>\n AMZ, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
David Wright O'Brien<\/td>\n Private Prune Speaking<\/a><\/td>\n nv<\/td>\n AMZ, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
William P. McGivern<\/td>\n Professor Thorndyke's Mistake<\/a><\/td>\n ss<\/td>\n AMZ, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Unknown<\/td>\n Dolls of Death<\/a><\/td>\n nv<\/td>\n AMZ, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Raymond A. Palmer<\/td>\n Weapon for a WAC<\/a><\/td>\n ss<\/td>\n AMZ, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
William P. McGivern<\/td>\n Double-Cross on Mars<\/a><\/td>\n nv<\/td>\n AMZ, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Robert Moore Williams<\/td>\n Warburton's Invention<\/a><\/td>\n nv<\/td>\n AMZ, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
William L. Hamling<\/td>\n Overlord of Venus<\/a><\/td>\n ss<\/td>\n AMZ, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
David Wright O'Brien<\/td>\n Matches and Kings<\/a><\/td>\n ss<\/td>\n AMZ, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
David Wright O'Brien<\/td>\n I'll See You Again<\/a><\/td>\n ss<\/td>\n AMZ, Sep<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Ray Bradbury<\/td>\n Undersea Guardians<\/a><\/td>\n ss<\/td>\n AMZ, Dec<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Emil Petaja<\/td>\n The Man Who Hated War<\/a><\/td>\n ss<\/td>\n AMZ, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
C. A. Baldwin<\/td>\n War Criminals of Renault Island<\/a><\/td>\n nv<\/td>\n AMZ, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Albert Bernstein<\/td>\n The Map of Fate<\/a><\/td>\n ss<\/td>\n AMZ, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
George Tashman<\/td>\n A Most Ingenious Paradox<\/a><\/td>\n ss<\/td>\n AMZ, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Berkeley Livingston<\/td>\n The Life Machine<\/a><\/td>\n nv<\/td>\n AMZ, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Don Wilcox<\/td>\n Invasion Dust<\/a><\/td>\n ss<\/td>\n AMZ, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Stanton A. Coblentz<\/td>\n The Odyssey of Battling Bert<\/a><\/td>\n ss<\/td>\n AMZ, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Helmar Lewis<\/td>\n The Whips of Doom<\/a><\/td>\n ss<\/td>\n AMZ, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Berkeley Livingston<\/td>\n Truk Island<\/a><\/td>\n nv<\/td>\n AMZ, Dec<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Wallace West<\/td>\n Outlaw Queen of Venus<\/a><\/td>\n nv<\/td>\n FAN, Feb<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Berkeley Livingston<\/td>\n What's in a Name?<\/a><\/td>\n ss<\/td>\n FAN, Feb<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
David Wright O'Brien<\/td>\n The Place Is Familiar<\/a><\/td>\n na<\/td>\n FAN, Feb<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
William P. McGivern<\/td>\n The Musketeers in Paris<\/a><\/td>\n nv<\/td>\n FAN, Feb<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Scott Feldman<\/td>\n Letter to the Editor<\/a><\/td>\n ss<\/td>\n FAN, Feb<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Leroy Yerxa<\/td>\n A Thought in Time<\/a><\/td>\n ss<\/td>\n FAN, Feb<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Leroy Yerxa<\/td>\n Appointment with the Past<\/a><\/td>\n na<\/td>\n FAN, Feb<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Robert Bloch<\/td>\n Lefty Feep's Arabian Nightmare<\/a><\/td>\n nv<\/td>\n FAN, Feb<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Robert Moore Williams<\/td>\n The Return of Jongor<\/a><\/td>\n na<\/td>\n FAN, Apr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Berkeley Livingston<\/td>\n Homer and the Herring<\/a><\/td>\n nv<\/td>\n FAN, Apr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
David Wright O'Brien<\/td>\n Time on Your Hands<\/a><\/td>\n nv<\/td>\n FAN, Apr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Leroy Yerxa<\/td>\n Freddie Funk's Forgetful Elephant<\/a><\/td>\n ss<\/td>\n FAN, Apr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
William P. McGivern<\/td>\n A Horse on Thorndyke<\/a><\/td>\n nv<\/td>\n FAN, Apr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Robert Bloch<\/td>\n Lefty Feep Does Time<\/a><\/td>\n nv<\/td>\n FAN, Apr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
William P. McGivern<\/td>\n The Curse of El Dorado<\/a><\/td>\n nv<\/td>\n FAN, Apr<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Howard Browne<\/td>\n The Strange Mission of Arthur Pendran<\/a><\/td>\n na<\/td>\n FAN, Jun<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Thorne Lee<\/td>\n The Man Who Lost His Shadow<\/a><\/td>\n nv<\/td>\n FAN, Jun<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Berkeley Livingston<\/td>\n The Truthful Pencil<\/a><\/td>\n ss<\/td>\n FAN, Jun<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Leroy Yerxa<\/td>\n Hitler's Right Eye<\/a><\/td>\n ss<\/td>\n FAN, Jun<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Don Wilcox<\/td>\n Man from the Magic River<\/a><\/td>\n nv<\/td>\n FAN, Jun<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Leroy Yerxa<\/td>\n Bury Me Deep<\/a><\/td>\n nv<\/td>\n FAN, Jun<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Unknown<\/td>\n Horn O' Plenty<\/a><\/td>\n ss<\/td>\n FAN, Jun<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Helmar Lewis<\/td>\n Curse of the Phantom Legion<\/a><\/td>\n ss<\/td>\n FAN, Jun<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Don Wilcox<\/td>\n Cats of Kadenza<\/a><\/td>\n na<\/td>\n FAN, Oct<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Wallace West<\/td>\n The Tanner of Kiev<\/a><\/td>\n nv<\/td>\n FAN, Oct<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Berkeley Livingston<\/td>\n Bat Out of Hell<\/a><\/td>\n nv<\/td>\n FAN, Oct<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Berkeley Livingston<\/td>\n I'll Be Seeing You<\/a><\/td>\n nv<\/td>\n FAN, Oct<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Frances M. Deegan<\/td>\n The Martian and the Milkmaid<\/a><\/td>\n ss<\/td>\n FAN, Oct<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Don Wilcox<\/td>\n Fair Exchange<\/a><\/td>\n ss<\/td>\n FAN, Oct<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Robert Moore Williams<\/td>\n Martian Adventure<\/a><\/td>\n nv<\/td>\n FAN, Oct<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
William L. Hamling<\/td>\n The Man Who Spoke Too Late<\/a><\/td>\n ss<\/td>\n FAN, Oct<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
Olaf Stapledon<\/td>\n Sirius<\/a><\/td>\n n<\/td>\n -<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Robert Graves<\/td>\n The Golden Fleece<\/a><\/td>\n n<\/td>\n -<\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Henry Kuttner<\/td>\n Housing Problem<\/a><\/td>\n ss<\/td>\n CHM, Nov<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/tr>\n
John Russell Fearn<\/td>\n The Golden Amazon (NL)<\/a><\/td>\n n<\/td>\n <\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Aldous Huxley<\/td>\n Time Must Have a Stop (NL)<\/a><\/td>\n n<\/td>\n <\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Edgar Rice Burroughs<\/td>\n Land of Terror (NL)<\/a><\/td>\n n<\/td>\n <\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Eric Linklater<\/td>\n The Wind on the Moon (NL)<\/a><\/td>\n n<\/td>\n <\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Robert Ardrey<\/td>\n Worlds Beginning<\/a><\/td>\n n<\/td>\n <\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Olaf Stapledon<\/td>\n Old Man in a New World<\/a><\/td>\n na<\/td>\n <\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n
Kenneth Robeson<\/td>\n The Pharoh's Ghost (NL)<\/a><\/td>\n n<\/td>\n <\/td>\n <\/td>\n <\/td>\n RR<\/a><\/td>\n <\/td>\n <\/tr>\n <\/tbody> \n\n \n <\/table>\n\n Generated by wpDataTables<\/a><\/span>\n<\/div>